'It is great to have talented persons' visual voices in such an out of way gallery. All should be brought into the centre of the population so more can see such works.'
Exhibits
Garry Currin
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Maurice, Castlecliff © Garry Currin 2010 |
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Ian MacDonald: Edge of Warming
Edge of Warming – Whangateau Harbour [1] 2010/2012
Edge of Warming is a new series of work that has been incubating for the last few years. It is an effort to respond visually to the undeniable rising of sea levels brought about by climate change. I have some understanding of the mathematical properties of edges and see the edge between the sea and land as the characterisation of what is really a human political event. In these works I am mapping this edge at a macro level using “aerial photography” techniques and then as a background I photograph what is above to provide an environmental context. Whangateau Harbour [1] shows the edge of the incoming tide as it covers the communities of life on the flats of the Whangateau Harbour. I have been photographing these edges for some time and they include both the edge of the sea as well as rivers and streams. Water seems to me to be the emerging political indicator of the axis of sustainability and exploitation we encounter as a species struggling to survive on this planet. That intersection I am calling the “Edge of Warming”.
Technically: This work is printed onto exposition banner polyester material using the latest Epson HDR inks. This material is very robust, washable and fade-proof with fade ratings of 100+ years.
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Edge of Warming is a new series of work that has been incubating for the last few years. It is an effort to respond visually to the undeniable rising of sea levels brought about by climate change. I have some understanding of the mathematical properties of edges and see the edge between the sea and land as the characterisation of what is really a human political event. In these works I am mapping this edge at a macro level using “aerial photography” techniques and then as a background I photograph what is above to provide an environmental context. Whangateau Harbour [1] shows the edge of the incoming tide as it covers the communities of life on the flats of the Whangateau Harbour. I have been photographing these edges for some time and they include both the edge of the sea as well as rivers and streams. Water seems to me to be the emerging political indicator of the axis of sustainability and exploitation we encounter as a species struggling to survive on this planet. That intersection I am calling the “Edge of Warming”.
Technically: This work is printed onto exposition banner polyester material using the latest Epson HDR inks. This material is very robust, washable and fade-proof with fade ratings of 100+ years.
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Richard Smallfield: Gone Tomorrow
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Winter morning, Warkworth © Richard Smallfield 2010 (400x400mm) |
Pakiri morning © Richard Smallfield 2010 (400x400mm) |
Homestead, Whangateau © Richard Smallfield 400x400mm |
Statement
Our rural environment is changing: subdivisions are springing up, villages are being redeveloped and roads are being sealed.
My main photographic project in recent years has been to capture the changing roads of my area around Leigh.
I am looking at the places we rush past en route to daily destinations, and documenting my surroundings as they change - for one day, many of these scenes will exist only in memory.
The photos in this series are all in a square, black and white format. I chose this format because it echoes the work of earlier photographers and scenes like these will also pass into history. [Richard Smallfield Website] [Gone Tomorrow essay so far exhibited]
Charlie Wrigglesworth: Pinhole World
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Pinhole World No.1 © Charlie Wrigglesworth 2012 |
Pinhole World No.2 © Charlie Wrigglesworth 2012 |
Pinhole World No.3 © Charlie Wrigglesworth 2012 |
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Hamish Macdonald
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In this Colony © Hamish Macdonald 2012 |
Something you said © Hamish Macdonald 2012 |
No need for words © Hamish Macdonald 2012
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Carli Clark
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Driftwood I © Carli Clark 2012 |
Driftwood II © Carli Clark 2012 |
Driftwood III © Carli Clark 2012 |
Driftwood IV © Carli Clark 2012 |
I will add images as I receive them from the photographers.
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Exhibition shots
Courtesy of Barbara Cope
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Prints: Richard Smallfield |
Prints: Mark Kaneko |
Print: Di Halstead |
Print: Ian MacDonald |
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